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| H. N. WHITE KINGS |
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| TESTING LABORATORY |
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| "To make absolutely certain that every note on every King is true in tune, we check those instruments against the largest and most accurate set of tuning bells ever built. Here we can detect the most minute variation from trueness and correct it." Page 65 1932 King Band Instruments Catalog |
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| The Testing Laboratory was also known as "The Department of Acoustical Research". All instruments were play tested for tone and intonation under the direct supervision of Mr. Henderson White and his son Richard White. The large set of tuning bells occupied one entire wall and resembled a large set of marimba with steel bars. The tuning bells were designed by J. C. Deagan Inc. especially for the H. N. White laboratory. The tuning bells were built of a special steel alloy that was not affected by weather conditions. During extremes of heat and cold the variation of pitch was less than a tenth of a single vibration. Tuned to A-440 this represented the most accurately tempered scale that was possible to build. In the laboratory was a large 10 bar "Deaganometer" used for pitch. This carried 10 bars pitched from 435 to 445, and provided an accurate and proven means of building instruments to the universal pitch of A-440. A reed organ was also used for comparison of tonal qualities, penetration, etc. |
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| Charlie Shavers and Ziggy Elman in the King testing lab with a pair of King Super 20 trumpets. |
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| The Burgess Acoustimeter in use while play testing a King trumpet. |
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| Extensive testing was completed during the addition of sterling silver to bells of instruments. Engineers in the Test Lab used the Burgess Acoustimeter while testing instruments for accurate intonation. Their testing revealed "the Sterling Silver bells provided 7 decibels more in tone volume, 12 decibels with a brass bell, 19 with a Sterling bell, sound waves continue with the sterling bell after they have stopped with the brass bell." |
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| John Calhoun Deagan Born: Hector, N. Y. Nov. 6, 1853 Died: Hermosa Beach, Calif. April 28, 1934 Deagan was dissatisfied with the intonation of Glockenspiels used in theater orchestras that he performed with as a concert clarinetist. He began to experiment with acoustics and instrument tuning. Deagan studied German physicist Herman Helmhotzs doctrine on acoustics. Deagan created the first scientifically tuned Glockenspiel in 1880. Deagan persuaded the American Federation of Musicians to adopt A=440 as the standard universal pitch in 1910 for bands and orchestras. Deagan provided the U. S. Bureau of Standards with tuning forks which provided accurate measurements of 100 to 2,000 vibrations per second for radio research. Deagan also invented the Degan-o-meter, the first electronic tuning device for orchestra and band instruments. |
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| Thanks for visiting! |
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| Ruby Braff playing..."Tell Me More" |
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| THANKS FOR VISITING! |
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